「国際美術展とグローバリゼーション」参考文献リスト

7/2/05

藤川　哲編

・アートとグローバリゼーション

<2005>

Greenberg, Reesa. “Identity Exhibitions: From Magiciens de la terre to Documenta 11.” Art Journal 64.1 (2005): 90-94.

Kleeblatt, Norman L. “Identity Roller Coaster.” Art Journal 64.1 (2005): 61-63.

Lamoureux, Johanne. “From Form to Platform: The Politics of Representation and the Representation of Politics.” Art Journal 64.1 (2005): 64-73.

Ogbechie, Sylvester Okwunodu. “Ordering the Universe: Documenta 11 and the Apotheosis of the Occidental Gaze.” Art Journal 64.1 (2005): 80-89.

Sussman, Elisabeth. “Then and Now: Whitney Biennial 1993.” Art Journal 64.1 (2005): 74-79.

Bosch, Annette van den. “Museums: Constructing a Public Culture in the Global Age.” Third Text 19 (2005): 81-89.

Cotter, Lucy. “Globalisation + Irish Art = ?” Third Text 19 (2005): 15-26.

<2004>

Grzinic, Marina. “Global Capitalism and the Genetic Paradigm of Culture.” Seijo Journal of Aesthetics and Art History 16 (2004): 91-104.

Mackay, Hugh. “The Globalisation of Culture?” Ed. David Held. A Globalizing World?: Culture, Economics, Politics. 2nd ed. London: Routledge, 2004: 47-84.

Ratnam, Niru. “Art and Globalisation.” Ed. Gill Perry, and Paul Wood. Themes in Contemporary Art. New Haven: Yale UP, 2004: 277-313.

Lin, Xiaoping. “Globalism or Nationalism?: Cai Guoqiang, Zhang Huan, and Xu Bing in New York.” Third Text 18 (2004): 279-95.

McLean, Ian. “On the Edge of Change?: Art, Globalisation and Cultural Difference.” Third Text 18 (2004): 293-304.

Ray, Gene. “Another (Art) World is Possible: Theorising Oppositional Convergence.” Third Text 18 (2004): 565-72.

三木あき子｢加速する歴史と現代美術界 欧州統合化の流れのもとで｣, 『美術手帖』, July 2004: 121-24.

市原研太郎, 長谷川祐子, 建畠晢「グローバル・アートの行方 2000年代の現代美術を考える」, 『美術手帖』, Apr. 2004: 233-48.

市原研太郎「アートにとって多文化主義とはなんだったのか4:多文化主義から間文化主義へ」, 『美術手帖』, Mar. 2004: 186-97.

---「アートにとって多文化主義とはなんだったのか3: 多文化主義は“理解”をめぐって輪舞する」, 『美術手帖』, Feb. 2004: 154-61.

---「アートにとって多文化主義とはなんだったのか2: マイノリティーにみる文化の「中間」領域」, 『美術手帖』, Jan. 2004: 170-77.

---「アートにとって多文化主義とはなんだったのか1: 世界をめぐってアメリカに帰還した多文化主義」, 『美術手帖』, Dic. 2003: 168-75.

石崎尚「国際美術展のマネジメントに関する一考察」, 『アートマネジメント研究』 5 (2004): 26-32.

<2003>

Griffin, Tim. “Global Tendencies: Globalism and the Large-scale Exhibition.” Artforum Nov. 2003: 152-63, 206.

Lee, Pamela M. “Boundary Issues: The Art World under the Sign of Globalism.” Artforum Nov. 2003: 164-67.

Ratnam, Niru. “Exhibiting the ‘Other’: Yuendumu Community’s Yarla.” Ed. Jason Gaiger. Frameworks for Modern Art. New Haven: Yale UP, 2003: 207-51.

Smiers, Joost. Arts under Pressure: Promoting Cultural Diversity in the Age of Globalization. London: Zed Books, 2003.

伊東正伸「文化行政と美術展 アートがつむぐ社会」, 伊東正伸ほか『アートマネジメント』, 武蔵野美術大学出版局, 2003: 33-128.

<2001>

Pour une Nouvelle Géographie Artistique des Anées 90. capcMusée d’Art Contemporain de Bordeaux, 2001.

村田真「国際展の意義」, 加藤哲弘ほか編『変貌する美術館』, 昭和堂, 2001: 40-41.

<2000>

Cassel, Valerie. “Cry of My Birth.” Art Journal 59.1 (2000): 4-7.

Ramírez, Mari Carmen. “Constellations: Toward a Radical Questioning of Dominant Curatorial Models.” Art Journal 59.1 (2000): 14-16.

Morin, France. “The Quiet in the Land: Resistance and Healing through Art.” Art Journal 59.1 (2000): 7-10.

Poshyananda, Apinan. “Positioning Contemporary Asian Art.” Art Journal 59.1 (2000): 10-13.

<1998>

Amor, Monica. “Whose world?: A Note on the Paradoxes of Global Aesthetics.” Art Journal 57.4 (1998): 28-32.

Becker, Carol. “Interview with Okwui Enwezor.” Art Journal 57.2 (1998): 101-7.

Brenson, Michael. “The Curator’s Moment.” Art Journal 57.4 (1998): 16-27.

Enwezor, Okwui. “Between Localism and Worldliness.” Art Journal 57.4 (1998): 32-36.

Ho, Oscar. “Hong Kong: A Curatorial Journey for an Identity.” Art Journal 57.4 (1998): 39-43.

Mercer, Kobena. “Intermezzo Worlds.” Art Journal 57.4 (1998): 43-45.

Minglu, Gao. “Extensionality and Intentionality in a Transnational Cultural System.” Art Journal 57.4 (1998): 36-39.

Rogoff, Irit. “Twenty Years on...Inside, Out.” Art Journal 57.4 (1998): 46-49.

Canclini, Néstor García. “Remaking Passports: Visual Thought in the Debate on Multiculturarlism.” Ed. Donald Preziosi. The Art of Art History: a Critical Anthology. Oxford: Oxford UP, 1998: 498-506.

Coombes, Annie E. “Inventing the ‘Postcolonial’: Hybridity and Constituency in Contemporary Curating.” Ed. Donald Preziosi. The Art of Art History: a Critical Anthology. Oxford: Oxford UP, 1998: 486-97.

<1997>

「世界の大型国際展データバンク」, 『美術手帖』, Sep. 1997: 102-12.

<1996>

Grasskamp, Walter. “For Example, Documenta, or, How is Art History Produced?” Ed. Reesa Greenberg, Bruce W. Ferguson, and Sandy Nairne. Thinking about Exhibitions. London: Routledge, 1996: 67-78.

Heinich, Nathalie, and Michael Pollak. “From Museum Curator to Exhibition Auteur: Inventing a Singular Position.” Ed. Reesa Greenberg, Bruce W. Ferguson, and Sandy Nairne. Thinking about Exhibitions. London: Routledge, 1996: 231-250.

Poinsot, Jean-Marc. “Large Exhibitions: a Sketch of a Typology.” Ed. Reesa Greenberg, Bruce W. Ferguson, and Sandy Nairne. Thinking about Exhibitions. London: Routledge, 1996: 39-66.

Ramírez, Mari Carmen. “Brokering Identities: Art Curators and the Politics of Representation.” Ed. Reesa Greenberg, Bruce W. Ferguson, and Sandy Nairne. Thinking about Exhibitions. London: Routledge, 1996: 21-38.

<1994>

萩原弘子「他者を位置づける視線」, 富山妙子, 浜田和子, 萩原弘子『美術史を解きはなつ』, 時事通信社, 1994: 139-230.

<1993>

篠田達美｢"現代美術という意志"に向けて｣, 『美術手帖』, Sep. 1993: 83-89.

<1992>

Amann, Jurg, and Martin Kunz-Marti. “American Dream?: Protokoll eines Gesprachs.” Kunstforum 118 (1992): 122-27.

Bianchi, Paolo. “Dialogkultur, Retrovision, neue Urbanitt und das Dazwischen.” Kunstforum 118 (1992): 76-107, 466-467.

Hottinger, Arnold. “Weltzivilisation: Verlust der kulturellen Strukturen der wirklich zivilisierten Welt.” Kunstforum 118 (1992): 137-46.

Leggewie, Claus. “Europa in den ‘United Colors of Benetton: Ein Multikultur-Marktbericht.’” Kunstforum 118 (1992): 147-57.

Lippard, Lucy R. “Alles neu benennen!: Unser Afro-Asian-Hispano-Amerika.” Kunstforum 118 (1992): 158-75, 471.

Wimmer, Franz. “Globalkultur: Der Mensch in einer global sich vereinheitlichenden Kultur.” Kunstforum 118 (1992): 108-21, 467-70.

・マニフェスタ

Snodgrass, Susan. “Manifesta 5: Turning Inward.” Art in America Dec. 2004: 68-71, 73.

Connolly, Maeve. “Nomads, Tourists and Territories: Manifesta and the Basque Country.” Afterimage Nov.-Dec. 2004: 8-9.

Fijen, Hedwig. “Moving with Manifesta.” Art News Nov. 2004: 139.

Kantor, Jordan. “Manifesta 5.” Artforum Sep. 2004: 259.

Colin, Anne. “Manifesta 5.” Art Press Sep. 2004: 74-75.

Fox, Dan. “Manifesta 5.” Frieze Sep. 2004: 112-13.

藤川哲「マニフェスタ5 ヨーロッパ現代美術ビエンナーレ開催!」, 『美術手帖』, Aug. 2004: 144-45.

“Eine Art von Spannung: Gespräch mit Marta Kuzma und Massimiliano Gioni.” Kunstforum July-Aug. 2004: 242-43.

“Dinge, die bleiben: Gespräch mit Martin Fritz, Manifesta 4.” Kunstforum July-Aug. 2004: 242-43.

Wulffen, Thomas. “Manifesta 5.” Kunstforum July-Aug. 2004: 238-301.

Herbert, Martin. “Basque to the Future.” Artforum May. 2004: 102.

Campagnola, Sonia. “Eyes Wide Shut.” Flash Art 237 (2004): 39, 56.

Scotini, Marco. “Sentimental in San Sebastián.” Flash Art 237 (2004): 39, 56.

“Making Things Manifesta.” Flash Art 236 (2004): 73.

Gioni, Massimiliano, and Marta Kuzma. Manifesta 5: Curatorial Research. Lier en Boog 18 (2004): 151-55.

Snodgrass, Susan. “Manifesta 4: Difining Europe?” Art in America Jan. 2003: 42-45, 47.

Randolph, Sal. “Free Words to Free Manifesta: Some Experiments in Art as Gift.” Ethics and the Environment 8.1 (2003): 61-73.

Basualdo, Carlos. “The Unstable Institution.” Manifesta Journal 2 (2003): 50-61.

Boyadjiev, Luchezar. “Off the Record.” ” Manifesta Journal 2 (2003): 32-39.

Enwesor, Okwui. “Mega-Exhibitions and the Antinomies of a Transnational Global Form.” Manifesta Journal 2 (2003): 6-31.

Helguera, Pablo. “On Selfish Giants: Big Exhibitions with Small Ideas.” Manifesta Journal 2 (2003): 80-81.

“Hosting and Hospitality in Art: The International Dimension.” Manifesta Journal 2 (2003): 110-25.

Martinez, Rosa.“On Individual and/or Collective Curatorial Work.” Manifesta Journal 2 (2003): 101-5.

Wulffen, Thomas. “Trapped in a Paradox.” Manifesta Journal 2 (2003): 106-9.

Zabel, Igor. “The Power of Proposing Things, of Talking Risks: A Conversation with Francesco Bonami.” Manifesta Journal 2 (2003): 88-99.

Fijen, Hedwig. “Reinventing Manifesta?” Manifesta Journal 1 (2003): 8-10.

三木あき子｢マニフェスタ4 欧州現代美術ビエンナーレ レポート｣, 『美術手帖』, Aug. 2002: 76-79.

Rose, Matthew. “Capitalist Manifesta.” Artnews June 2002: 33.

Withers, Rachel. “Manifesta 4: European Biennial of Contemporary Art.” Artforum May 2002: 85.

Dillon, T. “Manifesta 4.” Art Monthly 258 (2002): 46-49.

“Manifesta 4 Frankfurt-Main, Germany.” Art Nexus 46 (2002): 151-52.

Rosenberg, A. “Manifesta 4.” Flash Art 225 (2002): 115-16.

Carl, K. A. “Re-Alignings?:Artmaking in the Southeastern European Environs of Manifesta 3.” Art Criticism 16.1 (2001): 96-113.

“The 2nd Berlin Biennale Manifesta IV.” Flash Art 217 (2001): 44.

Snodgrass, Susan. “Manifesta 3: Diagnosing Europe.” Art in America Nov. 2000: 53, 55-57.

Felty, Heather.“Manifesta 3.” Flash Art Oct. 2000: 100.

大友恵理｢マニフェスタ3｣, 『美術手帖』, Sep. 2000: 114-17.

Levin, Kim. “Border Crossings.” The Village Voice 1 Aug. 2000: 59.

Schmidt, Josephine. “A Roving Show Fixates on Europe’s Border Obsession.” New York Times(Late Edition (East Coast)) 27 July 2000: E.2.

Siegel, Katy. “Fringe benefits.” Artforum May 2000: 63.

Zabel, Igor. “Manifesta 3.” Art Journal 59.1 (2000): 19-21.

Parker, Graham. “Manifesta 3.” Art Monthly 239 (2000): 26-27.

Gorczynski, Bohdan. “Manifesta 3.” New Art Examiner 28.2 (2000): 48-49.

“Ljubljana: Manifesta 3.” Flash Art Summer1999: 73.

Martinez, Rosa.“Manifesta.” Flash Art Nov.-Dic. 1998: 102-04.

Turner, Jonathan. “Manifesta 2.” Artnews Nov. 1998: 176.

Casavecchia, Barbara, and Owen Drolet. “Manifesta 2: A Conversation with the Curators.” Flash Art May-June 1998: 43, 46.

Luetticken, S. “Apes on the rock in Luxemburg Manifesta 2.” Archis 9 (1998): 52-57.

“Manifesta 2.” Art Papers 22.6 (1998): 68.

嘉藤笑子｢マニフェスタ2：ヨーロッパの各都市を巡るノマド型ビエンナーレを開催｣, 『美術手帖』, Oct. 1998: 183-84.

Lütticher, Sven. “Manifesta’s Hits and Misses.” Flash Art Oct. 1996: 42.

Birnbaum, Daniel. “Manifesta I.” Artforum Sep. 1996: 105, 42.

Turner, Jonathan. “Manifesta I: Biennial.” Artnews Sep. 1996: 144.

Grauman, Brigid. “The Gallery: Birth of a Biennale.” Wall Street Journal(Eastern edition) 19 July 1996: A10+(3 pgs).

Levin, Kim. “Bark and Bite.” The Village Voice 9 July 1996: 51-52.

“Manifesta’s First Stop.” Flash Art Mar.-Apr. 1996: 39.

Lenard, I. “Super-local, super-global: Manifesta I in Rotterdam.” Archis 8 (1996): 5-7.

Turner, Jonathan. “The Virtual Biennial.” Artnews Nov. 1994: 55-56.

・光州ビエンナーレ

Haines, Bruce. “Gwangju Biennale.” Frieze Mar. 2005: 127-28.

Breuvart, Valérie. “Gwangju Biennale 2004.” Artforum Jan. 2005: 196.

Bellini, Andrea. “Many Hands Make Art Work?” Flash Art 239 (2004): 46.

編集部「光州：アーティストと観客代表の対話が生んだ展覧会」, 『美術手帖』, Nov. 2004: 146-47.

Genocchio, Benjamin. “The Stars Align for Asian Art Shows.” New York Times (Late Edition (East Coast)) 19 Sep. 2004: 5.3

“Public Curates Gwangju Biennale 2004.” Flash Art 237 (2004): 44.

Napack, Jonathan. “Alternative Visions.” Art in America Nov. 2002: 94-100.

「光州ビエンナーレ2002」,『美術手帖』, Aug. 2002: 104-07.

Ottmann, Klaus. “Kwagnju Biennale 2000. ” Artnews June 2000: 154.

「光州ビエンナーレ」, 『美術手帖』, July 2000: 163-90.

古川美佳「あるいは韓国美術に見る政治的モメント」，『美術手帖』 July 2000: 187-90.

Roe, Jae-Ryung. “’97 Kwangju Biennale.” Artforum Apr. 1998: 123.

Vine, Richard. “Beyond the Biennale.” Art in America July 1998: 38-40.

---. “Asian Futures.” Art in America July 1998: 34-41.

「第2回光州ビエンナーレ・リポート」, 『美術手帖』、Nov. 1997: 189-201.

Staniszewski, Mary Anne. “Charting of Course.” Artforum Sep. 1997: 79-80.

Heartney, Eleanor. “Into the International Arena.” Art in America Apr. 1996: 50-54.

山脇一夫「光州ビエンナーレ リポート」, 『美術手帖』, Jan. 1996: 114-20.

・ハラルド・ゼーマン

長谷川祐子「闘いつづけたキュレイターが教えてくれたこと：追悼 ハラルド・ゼーマン」，『美術手帖』 May 2005: 154-55.

Smith, Roberta. “Harald Szeemann, 71, Curator of Groundbreaking Shows, Dies.” New York Times on the Web 25 Feb. 2005 <http://nytimes.com/>.

Žerov, Beti. “Making Things Possible: A Conversation with Harald Szeemann.” Manifesta Journal 1 (2003): 22-31.

Szeemann, Hararld. “The Timeless, Grand Narration of Human Existence in Its Time.” 49. Esposizione International d’Arte: La Biennale di Venezia, vol.1, (Milano: Electa, 2001): xvii-xxv.

・サイトスペシフィシティ

Carlos, Isabel. “The Importance of the Place.” Manifesta Journal 2 (2003): 100.

Kwon, Miwon. “One Place After Another: Notes on Site Specificity.” October 80 (1997): 85-110.

Kwon, Miwon. “The Wrong Place.” Art Journal 59.1 (2000): 33-43.

Kwon, Miwon. One Place After Another: Site-specific Art and Locational Identity. Cambridge: MIT P, 2002.

・観客

Gerz, Jochen. “Toward Public Authorship.” Third Text 18 (2004): 649-56.

Brooker, Will, and Deborah Jermyn. The Audience Studies Reader. London: Routledge, 2003.

Bourriaud, Nicolas. Relational Aesthetics. 1998. Trans. Simon Pleasance, and Fronza Woods. Dijon: Presses du réel, 2002.

・バスク

渡部哲郎『バスクとバスク人』(平凡社新書), 平凡社, 2004.

・光州事件

真鍋祐子『光州事件で読む現代韓国』，平凡社，2000.

・その他

池上裕子「ロバート・ラウシェンバーグの《ゴールド・スタンダード》―現代美術のグローバル化に関する一試論」, 『美術史』 158 (2005): 339-55.

古市保子「アジアの新たな関係性の構築に向けて」, 『美術フォーラム21』 11 (2005): 50-56.

Araeen, Rasheed, Sean Cubitt, and Ziauddin Sardar, eds. The Third Text Reader on Art, Culture and Theory. London: Continuum, 2002.

西欣也「美学上の文化的多元主義―その成立と含意をめぐって―」, 『美学』, 54.2 (2003): 15-27.

『12人の挑戦―大観から日比野まで』，茨城新聞社，2002.

Hardt, Michael, and Antonio Negri. Empire. Cambridge: Harvard UP, 2000.

Roche, Maurice. Mega-events and Modernity: Olympics and Expos in the Growth of Global Culture. London: Routledge, 2000.

Giddens, Anthony. Runaway World : How Globalisation is Reshaping Our Lives. London: Profile, 1999.(邦訳：アンソニー・ギデンズ『暴走する世界』，佐和隆光訳，ダイヤモンド社，2001.)

石井元章『ヴェネツィアと日本―美術をめぐる交流』，ブリュッケ，1999.

Bhabha, Homi K. “Postmodernism/ Postcolonialism.” Ed. Robert S. Nelson, and Richard Shiff. Critical Terms for Art History. Chicago: U of Chicago P, 1996: 307-22.

ウィリアム・ルービン編『20世紀美術におけるプリミティヴィズム』，吉田憲司，圀分寺司，小川勝，真島一郎・日本語版監修，淡交社，1995.

『ヴェネツィア・ビエンナーレ―日本参加の40年』，国際交流基金，毎日新聞社，1995.

Bhabha, Homi K. The Location of Culture. London: Routledge, 1994.

Said, Edwad W. Culture and Imperialism. 1993. New York: Vintage-Random, 1994.

Owens, Craig. “Global Issues.” Ed. Scott Bryson, Barbara Kruger, Lynne Tillman, and Jane Weinstock. Beyond Recognition: Representation, Power, and Culture. Berkeley: U of California P, 1992: 324-26.

Monahan, Laurie J. “Critical Cartography: American Design at the 1964 Venice Biennale.” Reconstructing Modernism: Art in New York, Paris, Montreal 1945-1964. Ed. Serge Guilbaut. Cambtidge: MIT, 1990: 369-416.

Spivak, Gayatri Chakravorty. In Other Worlds: Essays in Cultural Politics. New York: Routledge, 1988.

Rydell, Robert W. All the World’s Fair: Visions of Empire at American International Expositions, 1876-1916. Chicago: U of Chicago P, 1984.

Frampton, Kenneth. “Towards a Critical Regionalism.” Ed. Hal Foster. The Anti-Aesthetic. Seattle: Bay Press, 1983: 16-30.

Said, Edwad W. Orientalism. 1978. New York: Vintage-Random, 1979.

Debord, Guy. La Société du Spectacle. 1967. Paris: Gallimard, 1992.